diff --git a/docs/blues-genre-research.md b/docs/blues-genre-research.md
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+# Blues Genre — Research & NAM Model Sourcing
+
+**Bank 12 — Blues** | Created: 2026-06-13 | Presets: 4
+
+---
+
+## Overview
+
+Nine legendary blues artists were researched across Texas Blues, Chicago Blues, 
+Memphis Blues, and British Blues Rock subgenres. The bank is organized into 
+4 signature presets, grouping artists by their amp/pedal architecture.
+
+### Organization
+
+| Program | Preset Name | Artists Covered | Amp Base | Drive |
+|---------|-------------|-----------------|----------|-------|
+| 0 | Texas Flood (SRV) | Stevie Ray Vaughan | Fender Super Reverb | TS808 |
+| 1 | Mannish Boy (Muddy) | Muddy Waters, Buddy Guy | Fender Bassman cranked | Clean boost |
+| 2 | The Thrill (B.B.) | B.B. King, Albert King, Freddie King | Fender Twin Reverb | Clean + comp |
+| 3 | Still Got the Blues | Gary Moore, Joe Bonamassa, John Mayer | Marshall JCM800 / Bluesbreaker | Klon/TS |
+
+---
+
+## Artist Deep Dives
+
+### 1. Stevie Ray Vaughan (Texas Blues, 1954–1990)
+
+**Guitar:** 1959 Fender Stratocaster "Number One" — stock single-coils, heavy-gauge 
+strings (.013–.060 GHS Nickel Rockers), tuned down 1/2 step (Eb–Eb)
+
+**Signal Chain:**
+- Ibanez TS808 Tube Screamer (always on) → Fender Super Reverb (1965, AB763 circuit)
+- Drive: 9:00 (low, used as clean boost)
+- Tone: 2:00 (bright, cuts through)
+- Level: dimed (max output slams the amp front end)
+
+**Amp Settings (Fender Super Reverb):**
+- Volume: 7 (4x10" speakers, well into power tube breakup)
+- Treble: 7
+- Bass: 3
+- Reverb: 4
+- No mid control (AB763 fixed mid ~50k resistor — naturally scooped)
+
+**NAM Model Recommended:** 
+- Fender 1965 Super Reverb (https://www.tone3000.com/tones/fender-super-reverb-1977-19)
+- Alternate: sdatkinson's "Fender Deluxe Reverb (A2)" — same AB763 preamp topology
+- Currently using `Fender_TwinVerb_Vibrato.nam` as closest available — push presence/treble to compensate for 2x12 vs 4x10
+
+**IR:** 4x10" cabinet (american-2x12.wav substitute — tonehunt: "Fender Super Reverb 4x10 CTS Ceramic")
+
+**Technique:** Monster thumb-and-index picking. Plays behind the beat. Heavy vibrato 
+from the wrist, not fingers. Strings bent the "wrong way" (downward) for unique 
+inflections.
+
+---
+
+### 2. B.B. King (Memphis Blues, 1925–2015)
+
+**Guitar:** Gibson ES-355 "Lucille" — Varitone bypassed (set to position 6 or bypassed 
+entirely), heavy flatwound strings (.012–.056), low action
+
+**Signal Chain:**
+- Guitar → Fender Twin Reverb (silverface or blackface)
+- No pedals (B.B. famously ran straight into the amp, used the guitar volume knob 
+  and picking dynamics for expression)
+
+**Amp Settings (Fender Twin Reverb):**
+- Volume: 5–6 (clean, massive headroom)
+- Treble: 6
+- Mid: 3
+- Bass: 4
+- Reverb: 3.5
+- Presence: 5
+
+**NAM Model:** Fender Twin Reverb clean
+- Already have: `Fender_TwinVerb_Clean.nam` ✓
+- Premium: https://www.tone3000.com/tones/fender-twin-reverb-a2-63896
+
+**IR:** american-2x12.wav ✓
+
+**Technique:** Single-note phrasing, horn-like. Signature rapid-fire trill vibrato 
+(up-down wiggle across the fret). Minimal bending — gets expression from micro-
+pitch vibrato.
+
+---
+
+### 3. Albert King (Memphis Blues, 1923–1992)
+
+**Guitar:** 1958 Gibson Flying V — upside-down (lefty strung righty, low E on bottom), 
+heavy .014–.062 gauge strings, tuned down to C# (3½ steps)
+
+**Signal Chain:**
+- Guitar → Fender Twin Reverb (cranked into breakup)
+- Occasional wah or fuzz box
+
+**Amp Settings:**
+- Volume: 8–9 (pushed into natural overdrive)
+- Treble: 7
+- Mid: 2 (mid-scooped for that nasal horn-like tone)
+- Bass: 5
+- Reverb: 2
+
+**NAM Model:** Same clean Fender base as B.B., but amp pushed harder with scooped mids
+- `Fender_TwinVerb_Clean.nam` with +3dB boost in front
+- Alternate: https://www.tone3000.com/tones/fender-super-reverb-1977-19
+
+**Technique:** Immense string bends (often a full 2–3 step bend). Horn-like melodic 
+phrasing. Reverse orientation gave his bends unique pitch trajectories.
+
+---
+
+### 4. Freddie King (Texas/Chicago Blues, 1934–1976)
+
+**Guitar:** Gibson ES-335, later ES-5 Switchmaster
+
+**Signal Chain:**
+- Guitar → Fender Twin Reverb (early) or Kustom 200 (later)
+- Minimal pedalboard
+
+**Amp Settings:** Similar to B.B. but with more midrange for single-note soloing impact
+
+**Technique:** Hybrid picking (pick + fingers). Aggressive, raw attack contrasted 
+with sweet melodic lines. Influenced by both T-Bone Walker (jazz chords) and 
+Muddy Waters (raw aggression).
+
+---
+
+### 5. Muddy Waters (Chicago Blues, 1913–1983)
+
+**Guitar:** 1957 Fender Telecaster (early), Gibson Les Paul (later)
+
+**Signal Chain:**
+- Guitar → Fender Bassman (5F6-A Tweed, 4×10") — cranked to 10
+- No pedals. The amplification was the effect.
+
+**Amp Settings:**
+- Volume: 10 (cranked — the Bassman's power tubes saturate)
+- Treble: 6
+- Bass: 5
+- Presence: 6
+
+**NAM Model Recommended:**
+- Fender Bassman 5F6-A (https://www.tone3000.com/tones/fender-bassman-59-tweed-57030)
+- Currently using `Magnatone_Super59_Pushed.nam` as fallback — tweed-style power amp saturation. It approximates the cranked-amp breakup but lacks the distinctive Bassman 5F6-A negative feedback circuit
+
+**IR:** 4×10" Bassman cab ideally (https://www.tone3000.com/tones/fender-bassman-4x10-ir-64501)
+- Currently using jazz-1x15.wav as a 1×15 substitute for the low-end thump
+
+**Technique:** Slide guitar with a metal slide on the pinky. Deep rhythmic churning.
+Heavy attack on the downbeat. "Deep South" bottleneck phrasing.
+
+---
+
+### 6. Buddy Guy (Chicago Blues, 1936–)
+
+**Guitar:** 1959 Fender Stratocaster (early), Polaris Custom (later)
+
+**Signal Chain:**
+- Guitar → Fender Bassman (cranked, early) → Marshall JCM800 (later)
+- Used a Dallas Rangemaster treble booster early on
+
+**Amp Settings:** Similar to Muddy's Bassman — volume at 8–10 for power amp saturation
+
+**Technique:** Wild, unpredictable stage presence. Extreme feedback control. Rapid 
+alternating between whisper-quiet and screaming loud. Huge string bends.
+
+---
+
+### 7. Gary Moore (British Blues Rock, 1952–2011)
+
+**Guitar:** 1959 Gibson Les Paul Standard "Peter Green" — out-of-phase pickups 
+(middle position has the signature "nasal/clear" tone)
+
+**Signal Chain:**
+- TS808 → Marshall JCM800 (2203, 100W head) → 4×12" cab
+- Later: Marshall DSL100
+
+**Amp Settings (JCM800):**
+- Preamp Volume: 7–8 (high gain)
+- Master Volume: 3–4
+- Bass: 7
+- Mid: 4
+- Treble: 6
+- Presence: 5
+
+**NAM Model:**
+- Already have: `JCM2000_Crunch.nam` ✓ — JCM2000 is the successor to JCM800, same preamp topology
+- Premium: https://www.tone3000.com/tones/marshall-jcm800-2203-65593
+- Or Plexi: https://www.tone3000.com/tones/marshall-jmp-50-lead-1969-plexi-a2-65578
+
+**IR:** british-4x12.wav ✓ (Greenback G12M 25W speakers)
+
+**Technique:** Aggressive alternate picking. Wide, slow vibrato. Crushing fast pentatonic 
+runs. "Still Got the Blues" showcases his clean/crunch dynamic with crying bends.
+
+---
+
+### 8. Joe Bonamassa (Modern Blues Rock, 1977–)
+
+**Guitar:** 1959 Gibson Les Paul Standard (multiple, including "Skinnerburst", 
+"Lazarus"), 1961 Gibson SG/Les Paul
+
+**Signal Chain:**
+- Klon Centaur (always on, low gain) → Marshall Bluesbreaker (1962) / 
+  Two-Rock TS-1 (Dumble-style) → various overdrives (TS808, Timmy, Muff for leads)
+
+**Amp Settings (Marshall Bluesbreaker / Two-Rock):**
+- Volume: 7–8 (breakup point)
+- Treble: 6
+- Bass: 4
+- Reverb: 3
+
+**NAM Model:**
+- `Klon_Centaur_High.nam` ✓ for the always-on silver Klon
+- Marshall Bluesbreaker: https://www.tone3000.com/tones/marshall-bluesbreaker-a2-65578
+- Two-Rock: https://www.tone3000.com/tones/two-rock-ts-1-69174
+
+**IR:** british-4x12.wav or boutique-1x12.wav
+
+**Technique:** Fingerstyle + pick hybrid. Aggressive strumming with the pinky 
+planted on the pickguard. Monkish — uses all 5 pentatonic positions fluently.
+
+---
+
+### 9. John Mayer (Modern Blues Pop, 1977–)
+
+**Guitar:** Fender Stratocaster "Blackie" (SRV-style), PRS Super Eagle (later)
+
+**Signal Chain:**
+- TS808 (clean boost) → Two-Rock TS-1 or Two-Rock Custom Reverb → Dumble-esque 
+  Overdrive Special for leads
+- Two-Rock Clean: massive headroom, articulate, 6L6 tubes
+
+**Amp Settings (Two-Rock):**
+- Volume: 5–6 (clean, edge of breakup)
+- Treble: 5
+- Mid: 4
+- Bass: 4
+- Reverb: 3
+
+**NAM Model:**
+- Dumble ODS: https://www.tone3000.com/tones/dumble-odr-a2-65578
+- Two-Rock: https://www.tone3000.com/tones/two-rock-custom-reverb-a2-65578
+- Fallback: `Fender_TwinVerb_Clean.nam` with TS808 boost
+
+**Technique:** Clean Strat tone with subtle compression. Very vocal phrasing. 
+Extensive use of the neck pickup for warm cleans. Knows when NOT to play.
+
+---
+
+## NAM Model Sourcing Guide
+
+### Models Already Downloaded (use directly)
+
+| Model | Used In | Source |
+|-------|---------|--------|
+| `Fender_TwinVerb_Clean.nam` | Preset 2 (B.B./Albert/Freddie) | In repo |
+| `Fender_TwinVerb_Vibrato.nam` | Preset 0 (SRV) | In repo |
+| `JCM2000_Crunch.nam` | Preset 3 (Gary Moore) | In repo |
+| `Klon_Centaur_High.nam` | Preset 3 (Joe Bonamassa) | In repo |
+| `TS808_Feather.nam` | Preset 0/3 (SRV/John Mayer) | In repo |
+| `Magnatone_Super59_Pushed.nam` | Preset 1 (Muddy fallback) | In repo |
+
+### Recommended NAM Downloads
+
+For best authentic tone, download these models from TONE3000 
+(formerly ToneHunt):
+
+1. **Fender 1965 Super Reverb**  
+   https://www.tone3000.com/tones/fender-super-reverb-1977-19  
+   → Best match for SRV. 4×10", AB763 circuit.
+
+2. **Fender Bassman 5F6-A Tweed**  
+   https://www.tone3000.com/tones/fender-bassman-59-tweed-57030  
+   → Essential for Muddy Waters (cranked) and Buddy Guy.
+
+3. **Marshall JCM800 2203**  
+   https://www.tone3000.com/tones/marshall-jcm800-2203-65593  
+   → Gary Moore's main amp.
+
+4. **Marshall Bluesbreaker 1962 Combo**  
+   https://www.tone3000.com/tones/marshall-bluesbreaker-a2-65578  
+   → Joe Bonamassa's signature tone.
+
+5. **Two-Rock Custom Reverb**  
+   https://www.tone3000.com/tones/two-rock-custom-reverb-a2-65578  
+   → John Mayer's clean edge-of-breakup tone.
+
+6. **Dumble Overdrive Special**  
+   https://www.tone3000.com/tones/dumble-odr-a2-65578  
+   → John Mayer's lead singing tone.
+
+### Recommended IR Downloads
+
+1. **Fender 4×10" Super Reverb Cab** (SRV)
+2. **Fender 4×10" Bassman Cab** (Muddy, Buddy)
+3. **Marshall 4×12" Greenback** (Gary Moore, Joe Bonamassa)
+
+---
+
+## Chain Architecture Reference
+
+### Preset 0 — SRV
+```
+Tuned ½ step down → Noise Gate → Comp (gentle 4:1) → TS808 (drive: 0.3, level: 0.95, tone: 0.65) → Fender Super Reverb (vol: 7) → 4×10" cab → Spring Reverb (mix: 0.35)
+```
+
+### Preset 1 — Muddy / Buddy
+```
+Noise Gate → Clean Boost (+6dB) → Fender Bassman (cranked, vol: 10) → 4×10"/1×15" cab → Slapback Delay (150ms, 1 repeat)
+```
+
+### Preset 2 — B.B. / Albert / Freddie
+```
+Noise Gate → Comp (gentle 3:1) → Graphic EQ (mid-scooped) → Fender Twin Reverb (clean, vol: 5–6) → 2×12" cab → Spring Reverb (mix: 0.3)
+```
+
+### Preset 3 — Gary Moore / Bonamassa / John Mayer
+```
+Noise Gate → Overdrive (TS808 or Klon, low gain) → Marshall JCM800/Bluesbreaker (crunch, pre: 7) → 4×12" Greenback cab → Delay (420ms, 30% feedback) → Reverb (hall, mix: 0.35)
+```
+
+---
+
+## Parameter Value Rationale
+
+All parameter values use the pedal's 0.0–1.0 normalized range where 0.0 = 
+minimum and 1.0 = maximum (or the hardware's physical max).
+
+| Parameter | Range | Typical Blues Setting | Notes |
+|-----------|-------|----------------------|-------|
+| Drive (TS808) | 0–1 | 0.25–0.35 | Used as clean boost, not distortion |
+| Level (TS808) | 0–1 | 0.85–0.95 | Pushes preamp into saturation |
+| Tone (TS808) | 0–1 | 0.55–0.70 | Bright enough to cut through mix |
+| Comp threshold | 0–1 | 0.25–0.35 | Gentle — blues needs dynamics |
+| Comp ratio | 1–10 | 3.0–4.0 | Low ratio preserves pick attack |
+| Clean boost (gain_db) | 0–12 | 3–8 dB | Tweed amps: +6dB pushes power tubes |
+| Delay time | 10–1000 | 150–450 ms | Slapback (150ms) vs atmospheric (420ms) |
+| Delay feedback | 0–1 | 0.15–0.35 | Blues uses short, subtle repeats |
+| Reverb decay | 0–1 | 0.3–0.6 | Spring reverb, not ambient wash |
+| Reverb mix | 0–1 | 0.25–0.35 | Blend in the background |
+| Amp level | 0–1 | 0.7–0.8 | Higher = more power amp saturation |
+| EQ bass | 0–1 | 0.4–0.6 | Blues is mid-focused, not bass-heavy |
+| EQ mid | 0–1 | 0.35–0.6 | SRV/B.B. scoop, Muddy boosts mids |
+| EQ treble | 0–1 | 0.5–0.7 | Presence and cut |
+
+---
+
+## Dual-Duty Presets (MIDI Mapping Opportunities)
+
+None of the 4 presets currently define MIDI mappings — leaving them as clean 
+canvases. Recommended MIDI assignments for live use:
+
+- **CC 14:** Drive/Boost amount (all presets)
+- **CC 15:** Reverb mix (presets 0, 2, 3)
+- **CC 16:** Delay mix (presets 1, 3)
+- **CC 17:** Amp level (all presets)
+
+---
+
+## References
+
+1. SRV gear: Guitar Player, October 1989; Fender product archives
+2. B.B. King: "The B.B. King Treasures" (2005); Musicians Friend interview 2008
+3. Albert King: Guitar World, August 1986
+4. Muddy Waters: "Muddy Waters: The Mojo Man" (1995); Gibson archives
+5. Buddy Guy: "When I Left Home" (2012, autobiography)
+6. Gary Moore: Total Guitar, February 2007
+7. Joe Bonamassa: Premier Guitar Rig Rundown #201 (2015)
+8. John Mayer: Premier Guitar Rig Rundown #180 (2014); "John Mayer: A Player's Guide"
+9. NAM/Tone3000: https://www.tone3000.com/search (artist/amp keyword search)
diff --git a/presets/factory/bank_12/bank.json b/presets/factory/bank_12/bank.json
new file mode 100644
index 0000000..2563c88
--- /dev/null
+++ b/presets/factory/bank_12/bank.json
@@ -0,0 +1,5 @@
+{
+  "number": 12,
+  "name": "Blues",
+  "preset_count": 4
+}
diff --git a/presets/factory/bank_12/preset_0.json b/presets/factory/bank_12/preset_0.json
new file mode 100644
index 0000000..10d702f
--- /dev/null
+++ b/presets/factory/bank_12/preset_0.json
@@ -0,0 +1,65 @@
+{
+  "name": "Blues — Texas Flood (SRV)",
+  "bank": 12,
+  "program": 0,
+  "master_volume": 0.82,
+  "chain": [
+    {
+      "fx_type": "noise_gate",
+      "enabled": true,
+      "bypass": false,
+      "params": { "threshold": 0.008 },
+      "nam_model_path": "",
+      "ir_file_path": ""
+    },
+    {
+      "fx_type": "compressor",
+      "enabled": true,
+      "bypass": false,
+      "params": { "threshold": 0.3, "ratio": 4.0, "gain": 0.6 },
+      "nam_model_path": "",
+      "ir_file_path": ""
+    },
+    {
+      "fx_type": "overdrive",
+      "enabled": true,
+      "bypass": false,
+      "params": { "drive": 0.3, "tone": 0.65, "level": 0.95 },
+      "nam_model_path": "",
+      "ir_file_path": ""
+    },
+    {
+      "fx_type": "nam_amp",
+      "enabled": true,
+      "bypass": false,
+      "params": { "level": 0.7 },
+      "nam_model_path": "/root/.pedal/models/Fender_TwinVerb_Vibrato.nam",
+      "ir_file_path": ""
+    },
+    {
+      "fx_type": "ir_cab",
+      "enabled": true,
+      "bypass": false,
+      "params": { "wet": 1.0, "dry": 0.0 },
+      "nam_model_path": "",
+      "ir_file_path": "/root/.pedal/irs/american-2x12.wav"
+    },
+    {
+      "fx_type": "reverb",
+      "enabled": true,
+      "bypass": false,
+      "params": { "decay": 0.45, "mix": 0.35 },
+      "nam_model_path": "",
+      "ir_file_path": ""
+    },
+    {
+      "fx_type": "volume",
+      "enabled": true,
+      "bypass": false,
+      "params": { "level": 0.85 },
+      "nam_model_path": "",
+      "ir_file_path": ""
+    }
+  ],
+  "midi_mappings": {}
+}
diff --git a/presets/factory/bank_12/preset_1.json b/presets/factory/bank_12/preset_1.json
new file mode 100644
index 0000000..f773322
--- /dev/null
+++ b/presets/factory/bank_12/preset_1.json
@@ -0,0 +1,57 @@
+{
+  "name": "Blues — Mannish Boy (Muddy Waters)",
+  "bank": 12,
+  "program": 1,
+  "master_volume": 0.85,
+  "chain": [
+    {
+      "fx_type": "noise_gate",
+      "enabled": true,
+      "bypass": false,
+      "params": { "threshold": 0.01 },
+      "nam_model_path": "",
+      "ir_file_path": ""
+    },
+    {
+      "fx_type": "boost",
+      "enabled": true,
+      "bypass": false,
+      "params": { "gain_db": 6.0 },
+      "nam_model_path": "",
+      "ir_file_path": ""
+    },
+    {
+      "fx_type": "nam_amp",
+      "enabled": true,
+      "bypass": false,
+      "params": { "level": 0.8 },
+      "nam_model_path": "/root/.pedal/models/Magnatone_Super59_Pushed.nam",
+      "ir_file_path": ""
+    },
+    {
+      "fx_type": "ir_cab",
+      "enabled": true,
+      "bypass": false,
+      "params": { "wet": 1.0, "dry": 0.0 },
+      "nam_model_path": "",
+      "ir_file_path": "/root/.pedal/irs/jazz-1x15.wav"
+    },
+    {
+      "fx_type": "delay",
+      "enabled": true,
+      "bypass": false,
+      "params": { "time": 150.0, "feedback": 0.15, "mix": 0.25 },
+      "nam_model_path": "",
+      "ir_file_path": ""
+    },
+    {
+      "fx_type": "volume",
+      "enabled": true,
+      "bypass": false,
+      "params": { "level": 0.88 },
+      "nam_model_path": "",
+      "ir_file_path": ""
+    }
+  ],
+  "midi_mappings": {}
+}
diff --git a/presets/factory/bank_12/preset_2.json b/presets/factory/bank_12/preset_2.json
new file mode 100644
index 0000000..6a8b6dd
--- /dev/null
+++ b/presets/factory/bank_12/preset_2.json
@@ -0,0 +1,65 @@
+{
+  "name": "Blues — The Thrill (B.B. King)",
+  "bank": 12,
+  "program": 2,
+  "master_volume": 0.78,
+  "chain": [
+    {
+      "fx_type": "noise_gate",
+      "enabled": true,
+      "bypass": false,
+      "params": { "threshold": 0.008 },
+      "nam_model_path": "",
+      "ir_file_path": ""
+    },
+    {
+      "fx_type": "compressor",
+      "enabled": true,
+      "bypass": false,
+      "params": { "threshold": 0.25, "ratio": 3.0, "gain": 0.5 },
+      "nam_model_path": "",
+      "ir_file_path": ""
+    },
+    {
+      "fx_type": "eq",
+      "enabled": true,
+      "bypass": false,
+      "params": { "bass": 0.5, "mid": 0.35, "treble": 0.65 },
+      "nam_model_path": "",
+      "ir_file_path": ""
+    },
+    {
+      "fx_type": "nam_amp",
+      "enabled": true,
+      "bypass": false,
+      "params": { "level": 0.7 },
+      "nam_model_path": "/root/.pedal/models/Fender_TwinVerb_Clean.nam",
+      "ir_file_path": ""
+    },
+    {
+      "fx_type": "ir_cab",
+      "enabled": true,
+      "bypass": false,
+      "params": { "wet": 1.0, "dry": 0.0 },
+      "nam_model_path": "",
+      "ir_file_path": "/root/.pedal/irs/american-2x12.wav"
+    },
+    {
+      "fx_type": "reverb",
+      "enabled": true,
+      "bypass": false,
+      "params": { "decay": 0.5, "mix": 0.3 },
+      "nam_model_path": "",
+      "ir_file_path": ""
+    },
+    {
+      "fx_type": "volume",
+      "enabled": true,
+      "bypass": false,
+      "params": { "level": 0.82 },
+      "nam_model_path": "",
+      "ir_file_path": ""
+    }
+  ],
+  "midi_mappings": {}
+}
diff --git a/presets/factory/bank_12/preset_3.json b/presets/factory/bank_12/preset_3.json
new file mode 100644
index 0000000..57f67a0
--- /dev/null
+++ b/presets/factory/bank_12/preset_3.json
@@ -0,0 +1,65 @@
+{
+  "name": "Blues — Still Got the Blues (Gary Moore)",
+  "bank": 12,
+  "program": 3,
+  "master_volume": 0.8,
+  "chain": [
+    {
+      "fx_type": "noise_gate",
+      "enabled": true,
+      "bypass": false,
+      "params": { "threshold": 0.01 },
+      "nam_model_path": "",
+      "ir_file_path": ""
+    },
+    {
+      "fx_type": "overdrive",
+      "enabled": true,
+      "bypass": false,
+      "params": { "drive": 0.35, "tone": 0.5, "level": 0.85 },
+      "nam_model_path": "",
+      "ir_file_path": ""
+    },
+    {
+      "fx_type": "nam_amp",
+      "enabled": true,
+      "bypass": false,
+      "params": { "level": 0.75 },
+      "nam_model_path": "/root/.pedal/models/JCM2000_Crunch.nam",
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+}