refactor service.conf
This commit is contained in:
@@ -42,7 +42,7 @@
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<http://two-play.com/plugins/toob-cab-sim>
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a lv2:Plugin ,
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lv2:AmplifierPlugin ;
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lv2:SimulatorPlugin ;
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doap:name "TooB Cab Simulator" ,
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"TooB Cab Simulator"@en-gb-gb
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;
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@@ -52,7 +52,7 @@ inputStage:filterGroup
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<http://two-play.com/plugins/toob-input_stage>
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a lv2:Plugin ,
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lv2:MixerPlugin ;
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lv2:SimulatorPlugin ;
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doap:name "TooB Input Stage" ,
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"TooB Input Stage"@en-gb-gb
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;
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@@ -118,7 +118,8 @@ use the following plugins in the following order.
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] , [
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rdfs:label "-INF" ;
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rdf:value -60.0
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]
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];
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rdfs:comment "Input level trim"
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], [
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a lv2:InputPort ,
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lv2:ControlPort ;
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@@ -154,7 +155,7 @@ use the following plugins in the following order.
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rdfs:label "OFF" ;
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rdf:value 0.0
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];
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rdfs:comment "Boost high frequencies." ;
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rdfs:comment "High frequency boost. Zero to disable." ;
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], [
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a lv2:InputPort ,
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@@ -173,7 +174,7 @@ use the following plugins in the following order.
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rdfs:label "OFF" ;
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rdf:value 0.0
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];
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rdfs:comment "Bright frequency." ;
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rdfs:comment "Bright cutoff frequency." ;
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], [
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a lv2:InputPort ,
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@@ -60,7 +60,7 @@ pstage:stage3
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<http://two-play.com/plugins/toob-power-stage-2>
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a lv2:Plugin ,
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lv2:AmplifierPlugin ;
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lv2:SimulatorPlugin ;
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doap:name "TooB Power Stage";
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@@ -79,8 +79,8 @@ pstage:stage3
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rdfs:comment """
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The TooB Power Stage provides flexible and nuanced emulations of guitar amp power stages.
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The goal of TooB Power Stage is not to inflexibly emulate existing tube power stages, but instead,
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to be better.
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The goal of TooB Power Stage is emulate the best features of real tube amps without slavishly
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reproducing the undesirable features as well.
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TooB Power Stage provides 3 consecutive gain stages, each of which can be overdriven to varying
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degrees. Power transformer sag is emulated using the SAG and SAGD controls, which emulate the
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@@ -105,19 +105,22 @@ General experience seems to suggest that gradually increasing the gain in each s
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the signal harder without introducing undesirable effects in the output. However, there definitely interesting
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and subtle differences in tone that can be acheived by not adhering to that rule of thumb.
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The SAG and SAGD controls are important controls. You need to undertand how they work. SAG controls how much
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The SAG and SAGD controls the emulation of "forgiveness", and "compression" that are provided in a real tube
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amp by sagging of power supply voltage. SAG controls how much
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the overall volume of the output decreases as the transform sags. It provides the subtle "compression" that
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tube amps provide, which is quite different from the compression provided by compressors. SAGD controls
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the amount of additional distortion that occurs as the gain stages receive reduced voltage. It provides
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the "forgiveness" of a good tube amp. Specifically, because SAGD operates in a feedback loop that runs through
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the "forgiveness" of a good tube amp. Because SAGD operates in a feedback loop that runs through
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all three gain stages. Increasing the distortion in the gain stages increases the power use of the gain stages;
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increasing the power use of the gain stages increases the effect of SAG and SAGD which has an opposing effect
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on power use. The net result is that using SAG and SAGD causes signals to break up more gradually
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on power use. The net result is that SAGD causes signals to break up more gradually
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(hence the perceived "forgiveness"). The effects are non-linear, so not easy to describe completely. You
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are strongly urged to experiment with SAG and SAGD settings in order to get best tone results.
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are strongly urged to experiment with SAG and SAGD settings in order to get best tone results. Use very
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moderate settings to emulate tube amp output; higher settings of SAG and SAGD will cause audible compression
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and pumping of the outputs which may or may not be desireable.
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The TooB Power Stage design is based on an experimental design, that unexpectedly produced extraordinarily
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good amp tones. To be perfectly honest, we have not completely explored the sonic possibilities of the
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good amp tones. We have not completely explored the sonic possibilities of the
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TooB Power Stage. What's known so far: it produces exceptionally pretty clean tones; it can be driven really
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hard, and seems to preserve an unusual amount of detail in the signal even when being driven hard; and it
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can definitely produce signals that have many of the most prized features of tube amplifiers: warmth, detail,
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@@ -235,10 +238,11 @@ use the following plugins in the following order.
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lv2:index 5 ;
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lv2:symbol "bias1" ;
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lv2:name "Bias1";
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lv2:name "Bias";
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lv2:default 0.0 ;
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lv2:minimum -2.0 ;
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lv2:maximum 2.0;
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rdfs:comment "Waveshape bias (stage 1)"
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],
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@@ -345,10 +349,12 @@ use the following plugins in the following order.
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lv2:index 11 ;
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lv2:symbol "bias2" ;
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lv2:name "Bias2";
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lv2:name "Bias";
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lv2:default 0.0 ;
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lv2:minimum -2.0 ;
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lv2:maximum 2.0;
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rdfs:comment "Waveshape bias (stage 2)"
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],
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[
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a lv2:InputPort ,
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@@ -466,10 +472,12 @@ use the following plugins in the following order.
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lv2:index 18 ;
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lv2:symbol "bias3" ;
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lv2:name "Bias3";
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lv2:name "Bias";
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lv2:default 0.0 ;
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lv2:minimum -2.0 ;
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lv2:maximum 2.0;
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rdfs:comment "Waveshape bias (stage 3)"
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],
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@@ -42,7 +42,7 @@
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<http://two-play.com/plugins/toob-tone-stack>
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a lv2:Plugin ,
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lv2:AmplifierPlugin ;
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lv2:SimulatorPlugin ;
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doap:name "TooB Tone Stack" ,
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"TooB Tone Stack"@en-gb-gb
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;
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Binary file not shown.
@@ -41,7 +41,7 @@
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lv2:minorVersion 0 ;
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lv2:microVersion 13 ;
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rdfs:comment """
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Digital delay.
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A straighforward no-frills digital delay.
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""" ;
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@@ -62,6 +62,7 @@ Digital delay.
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lv2:maximum 1200;
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units:unit units:ms;
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lv2:portProperty <http://lv2plug.in/ns/ext/port-props#logarithmic>;
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rdfs:comment "Delay in ms";
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],
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[
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@@ -76,6 +77,8 @@ Digital delay.
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lv2:minimum 0.0 ;
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lv2:maximum 100.0 ;
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units:unit units:pc;
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rdfs:comment "Attenuation of the first delay";
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], [
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a lv2:InputPort ,
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lv2:ControlPort ;
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@@ -89,6 +92,7 @@ Digital delay.
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lv2:minimum 0.0 ;
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lv2:maximum 100.0 ;
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units:unit units:pc;
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rdfs:comment "Attenuation of subequent delays";
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],
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[
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a lv2:AudioPort ,
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@@ -40,7 +40,7 @@ toobml:filterGroup
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<http://two-play.com/plugins/toob-ml>
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a lv2:Plugin ,
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lv2:AmplifierPlugin ;
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lv2:SimulatorPlugin ;
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doap:name "TooB ML Amplifier" ,
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"TooB ML Amplifier"@en-gb-gb
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;
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@@ -84,7 +84,7 @@ and uses model files from from the GuitarML Neural Pi project (https://github.co
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lv2:minimum -30.0 ;
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lv2:maximum 30.0 ;
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units:unit units:db ;
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rdf:comment "Input volume trim (pre-model)";
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rdfs:comment "Input volume trim (pre-model)";
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],
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[
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a lv2:InputPort, lv2:ControlPort ;
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@@ -228,6 +228,7 @@ and uses model files from from the GuitarML Neural Pi project (https://github.co
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rdfs:label "XoticCompSP";
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rdf:value 32.0
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];
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rdfs:comment "Select neural network model."
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] ,
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[
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a lv2:InputPort ,
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@@ -239,7 +240,7 @@ and uses model files from from the GuitarML Neural Pi project (https://github.co
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lv2:default 3.0 ;
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lv2:minimum 0.0 ;
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lv2:maximum 10.0 ;
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rdf:comment "Model gain (used by some but not all models)"
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rdfs:comment "Model gain parameter (used by some but not all models)"
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],
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[
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a lv2:InputPort ,
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@@ -252,7 +253,7 @@ and uses model files from from the GuitarML Neural Pi project (https://github.co
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lv2:minimum -30.0 ;
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lv2:maximum 30.0 ;
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units:unit units:db ;
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rdf:comment "Output volume trim (pot-model)";
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rdfs:comment "Output volume trim (pre-model)";
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],
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[
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@@ -269,7 +270,7 @@ and uses model files from from the GuitarML Neural Pi project (https://github.co
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lv2:minimum 0.0 ;
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lv2:maximum 1.0 ;
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rdf:comment "Bass eq (pre-model)";
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rdfs:comment "Bass eq (pre-model)";
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], [
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a lv2:InputPort ,
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lv2:ControlPort ;
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@@ -285,9 +286,11 @@ and uses model files from from the GuitarML Neural Pi project (https://github.co
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lv2:maximum 1.0 ;
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rdf:comment "Mid eq (pre-model)";
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rdfs:comment "Mid eq (pre-model)";
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],
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],
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[
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a lv2:InputPort ,
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lv2:ControlPort ;
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@@ -303,7 +306,7 @@ and uses model files from from the GuitarML Neural Pi project (https://github.co
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lv2:maximum 1.0 ;
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rdf:comment "Treble eq (pre-model)";
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rdfs:comment "Treble eq (pre-model)";
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],
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[
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a lv2:OutputPort ,
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@@ -320,16 +323,42 @@ and uses model files from from the GuitarML Neural Pi project (https://github.co
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],
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[
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a lv2:InputPort ,
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lv2:ControlPort ;
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lv2:index 8 ;
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lv2:symbol "sag" ;
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lv2:name "Sag Vol";
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lv2:default 0.0 ;
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lv2:minimum 0.0 ;
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lv2:maximum 1.0;
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rdfs:comment "Transformer sag (volume)." ;
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],
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[
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a lv2:InputPort ,
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lv2:ControlPort ;
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lv2:index 9 ;
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lv2:symbol "sagd" ;
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lv2:name "Sag Dist";
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lv2:default 0.0 ;
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lv2:minimum 0.0 ;
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lv2:maximum 1.0;
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rdfs:comment "Transformer sag (distortion)." ;
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],
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[
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a lv2:AudioPort ,
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lv2:InputPort ;
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lv2:index 8 ;
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lv2:index 10 ;
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lv2:symbol "in" ;
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lv2:name "In"
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], [
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a lv2:AudioPort ,
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lv2:OutputPort ;
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lv2:index 9 ;
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lv2:index 11 ;
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lv2:symbol "out" ;
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lv2:name "Out"
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]
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@@ -340,7 +369,7 @@ and uses model files from from the GuitarML Neural Pi project (https://github.co
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atom:bufferType atom:Sequence ;
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atom:supports patch:Message;
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lv2:designation lv2:control ;
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lv2:index 10 ;
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lv2:index 12 ;
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lv2:symbol "control" ;
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lv2:name "Control" ;
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rdfs:comment "Plugin to GUI communication" ;
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@@ -351,11 +380,35 @@ and uses model files from from the GuitarML Neural Pi project (https://github.co
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atom:bufferType atom:Sequence ;
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atom:supports patch:Message;
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lv2:designation lv2:control ;
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lv2:index 11 ;
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lv2:index 13 ;
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lv2:symbol "notify" ;
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lv2:name "Notify" ;
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rdfs:comment "Plugin to GUI communication" ;
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],
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[
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a atom:AtomPort ,
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lv2:OutputPort ;
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atom:bufferType atom:Sequence ;
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atom:supports patch:Message;
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lv2:designation lv2:control ;
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lv2:index 13 ;
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lv2:symbol "notify" ;
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lv2:name "Notify" ;
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rdfs:comment "Plugin to GUI communication" ;
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],
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[
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a lv2:InputPort ,
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lv2:ControlPort ;
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lv2:index 14 ;
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lv2:symbol "sagf" ;
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lv2:name "SagF";
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lv2:default 13.0 ;
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lv2:minimum 5.0 ;
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lv2:maximum 25.0;
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rdfs:comment "Sag filter Fc." ;
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]
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.
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